Production Diary
Tuesday, 18th of NovemberSo, today I got a chance in lesson to update my script. After improving the script, the class went around and peer reviewed each other's scripts and noted down any additional improvements that needed to be added. This helped quite a bit, because it allowed me to get other people's opinions on my idea and hidden mistakes that I had previously not seen were corrected.
SCRIPT
This was my original script, however I made a few changes when story-boarding to increase the effectiveness of the idea, and to reduce the time needed in order to meet the one minute brief.
Saturday, 22nd of November
Today I decided to edit my storyboards and make them more detailed. I sometimes draw to pass time, so I keep a box of charcoal sticks and an A3 art book. I used the charcoal sticks to enhance the drawings in my storyboards. This allowed me to not only make the image look better, but it also allowed me to show where the shadows would be coming from in the actual frame and generally it just gave a better understanding of my idea and how the finishing product would look.
Sunday, 23rd of November
Today, I took my phone and went over to the location for the film, which is just next door in my sister's house. I looked at my shot list and took photos of the different frames that would be in the film with my iPhone. With these, I could then make accurate storyboards using the photos as a reference. The photo's could also be set along side the storyboards to show how the location actually looks and get a better feeling for the finished product. These photos can be seen below.
Monday, 24th November
I finally managed to finish all of my storyboards. I realised while completing them, that I still have a lot of improving to do, but I believe that they still get my idea across very well and create a visual image, along with the photos above of what the finished film will look like.
Here are my storyboards in chronological order:
(apologies for the bad quality, my home scanner broke)
The house next door was put on the market last year, so all of the photos for each room and the floor plan of the house were on the internet. The house was then taken off the market, but luckily the information was still on the internet, so I decided to take advantage of this and download the floor plan for the house, which I could then use to get a birds-eye view of the film set. This would make it easier for me to visualise the space I had to work with and where the camera could be positioned in each room to get the best out of what I had. Below is an image of the floor plan, which I downloaded.
I then went into Photoshop with this image and used the crop tool, so only the 1st floor was left. I then made the rooms that were going to be unused grey. I also used the blur tool to blur the text and make it clear which rooms were going to be used in the filming, but still give a clear understanding of the entire floor layout. Below, I have pasted the edited image.
Friday, 5th of December
Today, I got all of the necessary equipment out for my filming. Here is the equipment I ordered:
Rotolight
Rotolight case
Bridge camera
I also ordered a tripod, but unfortunately on the day, they were all being used, so I would have to make do with holding the camera and positioning myself in a way that would reduce the camera shake and give a smoother look.
Saturday, 6th of December
So, today I gathered all of the footage for my film. My sister who owns the house which I used for the location was out all day, so me and my brother had the house all to ourselves while we filmed, meaning that there would be no distractions or annoyances...
Here is a little 'behind the scenes' photo I took while shooting:
![]() |
| My brother in a bath full of paint... I mean blood... |
Monday, 8th of December
Today, I went into college early to return my equipment. I decided I might as well edit while I'm there too, so I ended up staying in the editing suite from about 8:30AM until 5PM... Throughout the day, I managed to cut all of the clips into the correct places, adjust the sounds for each of the necessary clips and also correct the brightness and colour. However, I didn't realise when filming, that the combined clips lasted approximately 1 and a half minutes, so I knew I would have to crop down the film to a sensible length, which could be entered into the competition.
Wednesday, 10th of December
I managed to complete the edit for the long version of the film. I tightened up the clips and adjusted the audio. I also made a small reference to a director I admire, Chris Nolan.
My video:
Nolan's video:
Here is the extended version of my film, BLOOD RUSH:
https://www.youtube.com/watch?v=vQCem3jDEZc
Thursday, 11th December
I spent a few hours of the day reducing the clips down and making the video meet the 1 minute mark, as said in the brief. I managed to take out 30 seconds off the original video, while still keeping all of the significant shots in, so that the viewers still understand the full extent of the story.
Here is the final film, enjoy:
https://www.youtube.com/watch?v=5FtNAk8Dwig
Here are all of the pre-production documents that I needed to complete in order to create the film.
Script Breakdown (cast, crew, equipment)
Key:
GREEN - Props
BLUE - Cast
Equipment Booking Form
Equipment
Needed
|
Project
Name
|
Student
Responsible
|
Staff
Responsible
|
Location
|
Date
Needed
|
Date
Booked
Out
|
Date
Returned
|
Rotolight
|
Bloodrush
|
Chris
Healey
|
Clive
Davies-Frayne
|
Edendale,
Green Lane, Yarm
|
6
Dec 2014
|
5
Dec 2014
|
8
Dec 2014
|
Bridge
camera
|
Bloodrush
|
Chris
Healey
|
Clive
Davies-Frayne
|
Edendale,
Green Lane, Yarm
|
6
Dec 2014
|
5
Dec 2014
|
8
Dec 2014
|
Tripod
|
Bloodrush
|
Chris
Healey
|
Clive
Davies-Frayne
|
Edendale,
Green Lane, Yarm
|
6
Dec 2014
|
5
Dec 2014
|
8
Dec 2014
|
RISK ASSESSMENT FORM
BLOOD
RUSH
Chris Healey – 07910 654575
Ravensworth, Green Lane
Yarm
Hazard
|
Present?
|
Severity
|
Likelihood
|
Risk
Factor
|
|
1
|
Alcohol/drugs
|
No
|
/
|
/
|
/
|
2
|
Animals/insects
|
No
|
/
|
/
|
/
|
3
|
Audiences
|
No
|
/
|
/
|
/
|
4
|
Camera cable/grip equipment
|
No
|
/
|
/
|
/
|
5
|
Confined spaces
|
No
|
/
|
/
|
/
|
6
|
Derelict buildings/dangerous
structures
|
No
|
/
|
/
|
/
|
7
|
Electricity/gas (other than normal
supplies)
|
No
|
/
|
/
|
/
|
8
|
Fatigue/long hours
|
No
|
/
|
/
|
/
|
9
|
Fire/flammable materials
|
No
|
/
|
/
|
/
|
10
|
Hazardous substances
|
Yes
|
M
|
VU
|
Paint could get in the actors eye and
potentially blind him.
|
11
|
Heat/Cold/extreme weather
|
No
|
/
|
/
|
/
|
12
|
Laser/strobe effects
|
No
|
/
|
/
|
/
|
13
|
Machinery/industrial/ crane/hoist
|
No
|
/
|
/
|
/
|
14
|
Materials - glass, non-fire retardant
set materials
|
No
|
/
|
/
|
/
|
15
|
Night operation
|
No
|
/
|
/
|
/
|
16
|
Noise – high sound levels
|
No
|
/
|
/
|
/
|
17
|
Non standard manual handling
|
Yes
|
S
|
P
|
Expensive camera could be dropped
into the water.
|
18
|
Public/crowds
|
No
|
/
|
/
|
/
|
19
|
Radiation
|
No
|
/
|
/
|
/
|
20
|
Scaffold/Rostra
|
No
|
/
|
/
|
/
|
21
|
Smoking on set
|
No
|
/
|
/
|
/
|
22
|
Special effects/explosives
|
No
|
/
|
/
|
/
|
23
|
Special needs (elderly, disabled,
inexperienced)
|
No
|
/
|
/
|
/
|
24
|
Specialised rescue/first aid
|
No
|
/
|
/
|
/
|
25
|
Stunts, dangerous activities
|
No
|
/
|
/
|
/
|
26
|
Tall scenery/suspended ceilings
|
No
|
/
|
/
|
/
|
27
|
Vehicles/speed
|
No
|
/
|
/
|
/
|
28
|
Water/proximity to water
|
Yes
|
M
|
U
|
Actor could drown
|
29
|
Weapons
|
Yes
|
L
|
VU
|
Actor could cut himself on scissors
prop
|
30
|
Working at heights
|
No
|
/
|
/
|
/
|
31
|
Working overseas
|
No
|
/
|
/
|
/
|
32
|
Other risks
|
No
|
/
|
/
|
/
|
Budget
| Ratecard | cost per day | no. of units | no. of days | running total | notes |
| Cameras | |||||
| Bridge Camera | 1.2 | 1 | 1 | 1.2 | |
| Nexus 5 (borrowed from brother) | 0 | 1 | 1 | 0 | |
| Sound Kit | |||||
| Bridge Camera | 0 | 1 | 1 | 0 | included in camera section |
| Nexus 5 (borrowed from brother) | 0 | 1 | 1 | included in camera section | |
| 0 | |||||
| Cast | 0 | ||||
| Actors | 0 | 1 | 1 | 0 | |
| Crew | |||||
| Camera Operator | 0 | 1 | 1 | 0 | |
| Sound Recordist | 0 | 1 | 1 | ||
| Boom Operator | 0 | 1 | 1 | 0 | |
| 0 | |||||
| Catering | 0 | ||||
| cost per person, per day | 0 | 0 | 1 | ||
| Post Production (dry hire) | 0 | 0 | 3 | 0 | |
| Transport | 3.5 | 1 | 3 | 10.5 | |
| TOTAL | 11.7 |
Actors contract
Legal and copyright
I have credited the source of any sound effects used in the film. All other rights are reserved by me, Chris Healey.



































